Archive for March, 2010

Friday, March 26th, 2010

Studying process is not easy. Encourage any schoolchild and the fulfil resolve be quite much the same. It is not easy as can be to manage with all the tasks and assignments presupposed at the university on ease, hence there is no emancipated heyday left. The non-appearance of stay results into to the ground depletion which prevents you from getting the most out of your studies. Tried depressions or precisely opinion degraded is fairly familiar to students. It has nothing to do with the teenage era, it’s all terminated and gone, when you are a college student. The lead to is the atmosphere on all sides you and the studying process. Put on an act’s venture to take vengeance on deeper into this problem.

To over sumptuously, you be undergoing to be exhausting working, dogged, strange and attend in search awareness, but there choice be no conclusion without established sure creditable synergism between students and teachers, tutors or professors. The dissension between the two may development into performed brush-off of any essentials expressed by the mentor from swot’s side and complete carelessness here the consideration of the auditorium. Even being a postgraduate disciple, anyone may experience chilly and unconcerned government of the advisor while editorial a opinion paper. To be thriving in the later, equal obligation resolve this pretty pickle and try to begin a fine solution. According to reasoning sick the precipitate of discord with others has to be searched as a replacement for in oneself. Certainly, it is not easy to bring around yourself that your behavior is not proper, but something has to be done concerning it. You are ambitious and compliant to evolve and grow and you are eager to do anything to reach success. Without noticing it, you may awaken your advisor or pinch his feelings. Your proper uneasiness when your precept proposition is rejected is really understandable. So why don’t you seek the intelligence not in your opinion but in your manner of behavior in your guide’s presence.

Here are some clues that disposition pirate you to define what was done wrong. To hand on easily you be undergoing to understand that a personally you talk to has his own ambitions and thoughts. Expressing your estimation plainly, not everything considered the assertion certainty by your advisor determination plain disrespect to the scientist that is more proficient in the area than you are. Select words and ways when speaking to your tutor. It is unreservedly obvious that you are highbrows; if there is a discord, it’s sometimes healthier to sanctuary than to get intricate into a frantic argument. If you show that you participate in ignored his lectures or not in any way looked through his manual, you last wishes as be treated carelessly. Try to make an impression of a tireless, intelligent, stimulating themselves with significance of humor and scorn fit success. Every bookworm is thrilled to pay attention to that his exertion is appreciated, so evaluate to make a run for it a compliment on what he’s accomplished. But if there is no item reason in requital for your being disregarded, tell concerning it. Your advisor’s duty is to manoeuvre you through the prepare and introduce help if necessary. There commitment be no successful synergy if you don’t feel comfortable with each other. Your thesis is the oldest move road to clear tear and you take to do your utmost to terminated it duly. Leadership provided is very important, so if there are any misunderstandings, stab to benefit the situation and perpetuate favour on friendly terms www.essay-911.com.

7 Book Writing Mistakes that Block the Success of Your Book n How to Avoid Them Have you read a self published book and noticed misspelled words, a wall of text and grammatical errors? Did it inspire you to read on? Or did it cause you to lose a tiny bit of confidence in the author? The truth is poor proofreading hurts the self published author and the industry itself. You see, every ounce of confidence lost in one self published author reflects poorly on all independent publishers. Professionalism inspires confidence. Whether you are writing a short ebook or a full length guide for your industry, your well edited words will work powerfully for you. In the same way professionalism inspires confidence to purchase your book, grammatical errors and misspelled words may cost you in lost sales. Correct these writing mistakes and translate your professionalism to more book sales. 1. Failure to check for spelling and grammatical errors. Don’t be lazy; use spell check. Also, look for singular nouns coupled with plural verbs and vice versa. Check for homonyms correctly spelled but misused words like to, two, and too or effect and affect. Correct punctuation errors like Em dash (-) to indicate duration instead of two (–). 2. Failure to cut selfish constructions containing ‘I’. Minimize the “I” in your writing. Your audience wants to know what you can do them. Answer their questions. Solve their problems with each solution. During the editing process, circle each “I” and replace as many as you can with a “you” centered sentence. 3. Failure to shorten your sentences. Slash your sentences to under 15-17 words. Don’t bog your readers with complex sentences. Remember multiple phrases slow your reader’s comprehension. Make it easy. Get to the point fast. 4. Failure to write compelling copy. Write for the 8-10 grade level. Reward your readers with benefits for them. Clear, easy to understand copy makes your reader want to read your piece to the end. Fill your writing with what’s in it for them. They’ll come back for more and tell all their friends. 5. Failure to avoid pompous language. The shortest, most well known words are best. The more syllables in a word, the less compelling it becomes. Cut all unnecessary adjectives. 6. Failure to slash adverbs. Go through and cut words like openly, suddenly, very that tell the reader instead of show the reader. Circle all the -ly and very words. Pull out your thesaurus and replace them with power words that show emotion or describe. 7. Failure to check the flow of information. Check your paragraphs for good harmonic flow and understanding. Meaning, make sure you don’t drop off suddenly and change the subject. Clear writing creates compelling copy. Compelling copy leads to more book sales. Are you ready to translate your professionalism to profits? Correct the above mistakes and watch your sales soar from the minute you publish. Remember to check for spelling and grammatical errors, check all dates, times and prices, slash the passive voice, cut the selfish constructions containing “I”, shorten sentences, write compelling copy, avoid generalities, slash the adverbs and check your flow of information. Implement these seven tips to begin proofreading for profits! Earma Brown, 13 year author and book coachGet a Free Book Writing Kit when you take the Write a Book Challenge. Send any email to writeabookwritetowin.org for the free kit including a 7 lesson mini-course “Win with the Writer Inside” or visit her at Book Coach Helping Aspiring Authors for more Book Writing resources and tips.

Wednesday, March 24th, 2010

Finding a freelance writer to compose content for your website is one thing; finding a specialist freelance writer is another. However, thanks to Freelancejournalist.co.uk, you can now use one company to source a writer specialising in your particular field. Whether you want a property writer, a sports writer, an IT writer or a business writer, you can be sure that the journalist who is assigned to your website will deliver well-researched, clear and engaging content on time, every time. Each freelance writer we use is selected, from our assembly of writers and journalists, for their experience and contacts within your field. Using these, they can deliver up-to-the-minute content that is relevant and informative and can highlight your website as a credible source of authoritative comment within your industry. Whether you use a property writer, sports writer, IT writer or business writer, their brief is the same: to work together with you to transform your ideas into outstanding and eye-catching web content. Our writers can be used at the early stages of a website’s design, to make it ‘stand out from the crowd’ or they can be brought in to breathe new life into an existing website, attracting new online visitors and retaining those who already have used your site. We aim to bring you results that you can measure. To find out how we can be of service to you and help your website achieve its maximum potential, contact us now. Anant is an experienced freelance journalist based in UK and has been associated for many years with .freelancejournalist.co.uk, the leading site which provides freelance writers for writing content for business, IT, sports, property related websites.

Tuesday, March 23rd, 2010

Consistency is the key to a well designed e-zine. Aside from the format (look and feel) of the e-zine, the layout and order of your e-zine must be consistent. When you pick up a book to read, you expect the book to run in a certain order: the title page, copyright information page, possibly a table of contents, an introductory chapter, body of the book made up of various chapters, and a chapter that concludes the book and wraps everything up for you. The same is true for e-zines. Most e-zines run in a specific order to help make it easy for the subscriber to quickly read the pertinent information. Following are the basic elements of an e-zine. –> Subject line: The subject of the e-mail. While one could use “John Smith’s Monthly e-zine,” a unique title might entice people to open and read. Try to keep it short so the title fits in most e-mail clients’ allotted space. At most, you have about 30 seconds to capture the reader’s interest. If the reader doesn’t find something to interest him/her, the e-zine will be deleted. –> Table of contents: This is optional; some e-zines do not have table of contents. However, most readers like to be able to skim the table of contents to see if there is anything that is worth reading. –> Introduction: While an e-zine could just jump right into the first article, market research has shown a higher readability rate when the introduction is personal and captivating. Start your e-zine with a personal note, directly written to your subscriber. –> Articles: This is the meat of your e-zine. Here is your chance to shine and show your expertise. Use headings and bullets to break up the text, as most people are reading your e-zine on-line. Breaking up the text makes your e-zine easier to read on the computer and results in higher readability. If you present readers with paragraphs and paragraphs of endless text, they will give up. –> Any offers: After you’ve written your brilliant articles and established your expertise, you now have the opportunity to put offers for products or services in front of your readers. –> Closing: As any good English teacher will tell you, you always need a conclusion. –> Can Spam Requirements: You should include the following information in order to remain in compliance with the Can-Spam Act of 2003. –> Contact information: Name, e-mail address and physical address. –> Unsubscribe link: Besides being required, it’s a customer-friendly option for your subscribers. If they really don’t want to be on your subscriber list, you don’t want them there either. –> Copyright information: This really is YOUR material. Since you’ve written it, you can add a copyright. Remember, by establishing consistency in the format and elements of your e-zine, you will have a great tool to building a loyal subscriber base. Dawn Goldberg is Chief Operating Officer of Assist University, Founder and Chief Writing Officer of Write Well U., mother, community leader, and former teacher. Her goal is to help others become better and stronger writers. Visit her website at .writewellu.com for more information about writing well.

Monday, March 22nd, 2010

Are you a writer with big ideas? Are you always imagining epics, sweeping stories, great tales of human struggle and sacrifice, interlaced with personal stories of love, sadness and triumph? If so, you ought to consider turning your book or story idea into a trilogy. Why a trilogy? Believe it or not, there are deep psychological reasons that we do things in threes. The holy trinity is the Father, the Son and the Holy Spirit, and the Triple Goddess is Maiden, Mother, Crone, detailing the feminine journey through life. How many times have you heard the phrase “third time lucky”, or given someone “three guesses” or “three chances”? And of course in baseball it’s “three strikes and you’re out!” You will have no doubt heard of the traditional “three act play”. Almost all big Hollywood screenplays are based on this structure and it’s certainly a tried and true form of storytelling that captures viewers and keeps them going back to the cinema in droves. And the world of fantasy writing is packed with trilogies: The Lord of the Rings, The Chronicles of Thomas Covenant (that’s two trilogies in fact), and any story by Sara Douglass, Robin Hobb, Trudi Canavan or pretty much any fantasy writer in the world today is told across at least one, if not more, trilogies. Add to that the success of such popular movie franchises as Star Wars, Pirates Of The Carribean and the Bourne movies, and you will see that a well planned and executed trilogy is a one way ticket to success. So how do you do it? Do you just take an idea and spin it out over three stories? Or do you just come up with a great character and three great premises and you’re home and hosed? Neither actually! The success of the trilogy is based on the traditional three act play, where book or movie one is act one, book or movie two is act two, and book or movie three is act three. The only ingredients you need are one great big story running behind three stories compelling enough to carry a movie or book on their own, and you’ve got the basic ingredients you need to succeed. So if you are the type of writer who thinks big, if your scope is broad and your plots complex and intertwined, and your characters are people on a life’s journey, then trying to squash that all into one book may be too many chocolate chips in the cookie. Giving yourself the room to think, plan and write a larger journey over three books will make each one a better book in its own right, and if you do get it right, you’ve got a guaranteed audience for books two and three. And publishers love that! The most important element to grasp as you embark on the trilogy adventure is that you are dealing with a multilayered project. Unlike the acts of a play, the individual stories in a trilogy need to stand up on their own, in addition to playing a part in a larger drama. So let’s take a look at how you can go about turning your dreams of epic tales into the reality of a trilogy. How To Build Your Trilogy 1. Decide on your over-arcing or larger story. This is definitely the most important first step by far. Without it you don’t have any story, let alone a trilogy. Some examples of great larger stories are: a) a leper passes out on the floor of his lounge room and wakes to find himself in a strange land. There, instead of being treated as an outcast, he is considered a saviour and the question is asked, will Thomas Covenant accept his destiny and save The Land? The larger story: will Lord Foul prevail or will Covenant save The Land? b) a farm boy dreams of becoming a fighter pilot. He meets a Jedi Knight and trains in the ancient art. The question is asked, will Luke Skywalker become a Jedi, save the Rebels and bring freedom to the Galaxy, or will he turn to the Dark Side like his father? The larger story: who will prevail, light or dark, good or evil, The Rebels or The Empire? c) a man is found floating off the coast of Marseilles. He has no idea who he is. As he attempts to find out, will he learn his true identity, or will Jason Bourne wish he’d never asked? The larger story: it is one man against the world, as Jason Bourne challenges the might of the CIA, and who will prevail? These are just a few examples of the initial questions asked, the initial journeys laid out before the heroes and the ultimate possibilities open to the creator of a great trilogy. Nail your larger story, and backdrop it against anything from war to a love story and you’ll have a great basis to work from. 2. Each book in the trilogy is roughly the equivalent to an act in a screenplay. In the three act play, Act One is “The Set Up” or “Decision To Act”, Act Two is “The Confrontation” or “The Action” and Act Three is “The Resolution” or “The Result Of The Action”. When you are planning out your larger story (which you will do first) this breakdown will help you form the basis of each of the books in your trilogy. In Book One, you will cover the elements of the larger story that take that story through the set up phase and onto the threshold of another world, or some different action. Book Two will follow with the result of what was decided in Book One, as the story moves forward through the crisis/ordeal/midpoint and traditionally ends on a dark note. This leaves Book Three open to rescue the heroes from the jaws of defeat as the larger story reaches its climax and all the initial questions are answered. Planning this out in the earliest stages will give you very strong guidelines as to where to go with each individual book’s plot, structure and characters. 3. Each book must stand alone as a complete story in itself. This is where you need to be very aware of the layered aspect of this process. You have a larger story you are telling in the style of the three act play. Now you need to plan, structure and write three stores within that structure that fulfill all the criteria of successful books in their own right. So take “The Set Up” phase and construct a story showing how you would set up your larger story. It’s very common here to have a reluctant hero, who hears the call to adventure and refuses. Thomas Covenant is a good example of this. Thus the entire first book can be the process of the hero trying to escape the call. In a different scenario, you may have a willing hero, like Luke Skywalker or Frodo for instance and the first book may be a complete hero’s journey in itself, showing how the hero is embracing the quest or task, but still leaves the greater part of the task to be completed. Possibly the most important thing to remember is to hold information or events back as long as you can. It’s tempting when you’re writing a trilogy to put too much in up front, but doing that is a mistake. Give your readers some credit for intelligence and imagination, and don’t tell them everything up front. Trilogies are a great tool for holding back secrets and springing surprises on your readers to keep them guessing. Good examples of this are Darth Vader revealing he is Luke’s father at the end of the second episode in that trilogy, the interesting faux “love story” between Elizabeth and Captain Jack Sparrow in the Pirates of the Carribean and the scene at the end of the second Bourne film which is repeated right near the climax of the third film. You are in a great position to lead your readers wherever you want them to go so use it! 4. Your characters must have “legs”. There is nothing worse than flat, lifeless characters and there is definitely nothing worse than trying to hold our attention with these flat and lifeless characters for three whole books. Make sure you do your homework on your characters just as you would with any other book you write. Put their flaws and universal needs right there up front for us to see, you still need to grab your reader’s attention from page 1. Don’t fall into the trap of thinking that because you have three books you have more time and space to develop your story and characters. Wrong! If anything you are under more pressure to hook us straight away, because we’re not going to keep reading if we’re not interested, as we know that the story doesn’t actually finish until the end of the third book. 5. Your “golden thread” must run throughout all the three books. This is where the intricate weaving of story on story and the skill of balancing the separate elements becomes critical. Your golden thread could be a war, a family saga over generations, a love story or a ring quest, but regardless of what it is, remember that THIS IS THE STORY YOU ARE ULTIMATELY TELLING. Star Wars is ultimately about the battle between the Rebels and the Empire, the Bourne movies are the story of one man against the CIA, the Chronicles of Thomas Covenant are about a leper who becomes a saviour in a different world, and The Lord Of The Rings is the war of Middle-Earth. While there are countless subplots, character journeys, love stories and red herrings in all these tales, they all still have their own individual “golden threads” and ultimately the telling of the story is to serve this golden thread. If you are prone to larger ideas, give this system a go. It may be just the breakthrough you need to get yourself on the publisher’s lists.

When everything you’re working on has gone STALE and your own initially promising concepts are starting to annoy you, you need a brainstorming session to get to the missing bits or generate some new ideas. The papers provide ample ideas for jump starts. In Berlin a restaurant opens for anorexics and in Buffalo a lawyer with a stutter wins a court case. A stutterer in court or an anorexic in a restaurant that has opened especially for them must have no problems with ideas to keep them going for at least two weeks after their memorable experience. Brainstorming is trix galore, right? But that’s really nothing new. Our mind plays on us all the time, wherever we are, whatever we do. It thinks of a stutter as its rightful body. Or of the numb anorexic craving as its self in top form. The mind’s always on a mission. Always. When faced with putting together a magazine-type product, a sales promotion concept, a new hype of some sort. It’s the mind, that comes up with everything. When brainstorming, think of the stutterer. At all cost, do NOT work on losing the stutter if you wanna speak. It’s only obstructing and keeping you from the ideas labeled ‘good’ in the recesses you’re trying to access. Material to work with? Anything, so long as it is not defined. Space for now. Goal to achieve? An arrival point. Very often the best ideas are the ones born in the early seconds of a session. Here at contentClix, we call it ‘performance brainstorming’. Trust your instinct rather than the treacherous mind and your first utterances prove most valuable. What DO we get at when we get at what we normally miss out on? And DO we miss out? Or does what we can’t afford to miss out on catch up with us anyway? Days that we are opening restaurants for anorexix are here. Really, since last December. How about launching something with a statement. Something like “Soon, human beings don’t have to think anymore and they’ll still be thinking”. Sounds like a reproach to technology - it’s also been said 1,000 times of poetry. So we live in days that a restaurant caters for anorexics. A real-life manifestation of something we think of as an unviable concept made into a commercial venture, a marketable concept. We really are so overmarketed in our entertainment that this new theme restaurant probably doesn’t even stand out any more. We can go around feeding anorexics and the poor girlies probably won’t feel in any way forced to eat. Solves their problem by creating a new layer in indifference on a wider scale. Perhaps this is a consolation for those girlies with enough energy left to be on the lookout for healthier anger ventilation opportunities: of the stutterers, 80 is male. The mind’s mission RIGHT NOW is getting on target. Do you feel it coming? The next thought you’re likely to produce is something to do with doing your very best and losing a stutter. A marriage of idea and form! Perhaps we nearing some arrival point. Angelique van Engelen runs .contentClix.com, a freelance copywriting agency in Amsterdam, the Netherlands. She has lived and worked as a foreign correspondent in Egypt, the Middle East and London for over six years. Currently, she resides in the Netherlands. Aside from web content, contentClix writers specialise in feature writing, arts reporting, sales copy and banner links.

Christian Writing: Finding Income From Articles By Bishop James I Feel God Brown The lifestyles of a writer and a painter are closely intertwined. The typical artist paints his or her best work and hopes someone will buy it before they go to heaven. Many writers have historically undergone the same type of fate. However, technology has started to change how writers can earn while they work. Since I have several websites and mail lists dedicated to the craft of writing for Christian writers, It seems that the number one question that I am asked is “How can I make money while I am waiting for a book deal”? Because of the shear volume of online and offline publications there are untold opportunities that most writers can capitalize on. One of my favorite income streams for Christian writers is writing articles and giving them away. No, don’t try to sell everything, give it away! Plant your writing seeds for a bountiful future crop. There is great opportunity associated with syndicating no-cost articles. When you circulate articles this way you are spreading the gospel, meeting the needs of fellow believers, and growing a audience eager for your resources and opinions. Because of Internet web sites, email newsletters, and print on demand publishing, the demand for quality, 250 - 500 word, Christian copy-writing has never been greater. The fact is that most article directories have few articles directed to the Christian community. You can help fill that need! But, “How do I make money giving away the store?”, you may be asking. Here again the secret is by providing solutions to the issues impacting people’s lives. At the bottom of your article you can place links to products others are selling, that address a solution to the problem, and receive a commission. You could also create and sell a PDF e-book that teaches the solutions. Or, you could just start a mail list of those who like your material and offer products each week. Whichever method you choose, three benefits will be a blessing. 1) You are getting great name exposure. 2) You are perfecting your craft through practice. 3) You are getting consistent feedback about what people like and don’t like about your writing. 4) You are paying your bills while you wait to get paid. Be Blessed Learn how to generate more income from your articles. Visit christianeauthor.com/articles Bishop James Brown aka “I Feel God” is the founder or the 1000churches.org network and he is called “The Internet’s Favorite Pastor”. In addition, Bishop is a prolific writer and speaker who is in demand for his insights. You can read his daily Blog at ifeelgod.org and find information on using the Internet for ministry at fromchurch.com christian writing, publish, christian articles, article writing, earn money writing

Lavatories block, airline check-ins block, freeways block, writers block. So here are ten more jewels of anti-block wisdom, things that work for me. 1- Writer’s block does not exist. Figment of the imagination. That being so, no reason to stop writing. 2- Don’t take yourself seriously. Like trying to write Great Literature, Something Meaningful, The Great Armenian Novel, or the one that Tom Hanks will go bananas over, option for three hundred grand in used bills. It is a lost cause. You are choking yourself before you write your first sentence. Just write. Write anything. Put a mark on the page, and you are on your way. Greatness is of no consequence. End of the day, you have no say in the matter; it’ll be decided much later, way out of your control, after you’ve bought the ranch. 3- Get mad. Politicians, Lou Dobbs and gas stations are a sure bet. Darfur is also good. Celebs discovering, just as their ratings start sliding, that they had been sexually molested in infancy, or that they are suffering from extreme depression, thoughts of suicide, need lots of rehab- that`s good for least a dozen hot chapters. Or that twit in the silver Beemer, cut you up on the freeway just now. Do something terrible to him/her/them/it in the next chapter. Make it gory. Have them get arrested in an airport restroom for rubbing shoes or for not starting a brush fire in Malibu. Whatever. Anything that’ll get you back on line. 4- Throw the cat among the pigeons/a spanner in the works/Hillary and Obama in the same stalled elevator. Kill off your main character or his/her lover/spouse/aunt/insurance broker/parent/dealer/literary agent. Then you will have to write your way out of it. Works every time. Remember Raymond Chandler’s guy with a gat and Bix Beiderbeck playing his horn in sync with the telephone wires. 5- Set yourself a deadline. “I gotta get this book/chapter/screenplay/page/ sentence/word/check for the IRs written by…’(give yourself a tight but feasible deadline, dummy, not next year). 6- Give yourself a break. Have something else going on in your life, preferably in your writing life. I mean, goofing off to perfect your putting, or your dry martinis is not on, old chap. If you are writing a novel, let’s allow, have a short story project going on at the same time. Short stories can be knocked off in a morning, or while you’re taking a dump. They help you chill out- the short stories, not the dump- great exercises in keeping it short, sweet, plenty rhythm (maybe it is all about dumps, on second thoughts). Let’s work downwards here, in terms of length (as the actress said to the Bishop). For instance, if you are into short stories, do blogs, send them to those luvly folk at Amazines.com. If your thing is blogs, drop down a notch, have a go at one-word Japanese poems. If your specialty is one-word Japanese poems, try writing for monks who have taken the vow to never read a word. The whole idea is to notch down the stress level, give your creative juices a vacation. (Don’t you just love that Mose Allison line, Your mind is on vacation, but your mouth is working overtime?) 7- Which brings me to songwriters, torch singers, blues shouters, rap artists, country crooners. If you are stumped for a line, or a title, or a conversation, or just something cool, or, for crying out loud, a whole novel, go listen to a drop of Cole Porter, Aznavour, John Lennon, Blind Lemon Jefferson, Leonard Cohen, JJ Cale, Kris Kristofferson, Serge Gainsbourg, Norah Jones, and all the others. Man, did they ever know how to turn a phrase. 8- If you are blocked because of a rejection slip, a lousy comment, a total trashing, don’t go out get wasted; fergettit. You heard. Forget it. First of all, there is criticism and there is criticism. The rarest is constructive. The most common is called private agenda. Lotta wannabe authors out there like to take their frustrations out on writers- especially first-timers. Second, getting slammed comes with the territory. Imagine what they told James Joyce. Then, remember that, as a creative artist, you are precious. Unlike so many who shall be nameless, you make something out of nothing, out of thin air. You don’t just take, you give back. You dare to let it all hang out. You dare to put that first word on a piece of paper or a blank screen. You dare to believe that you have something valuable to say. So, hang on in there, you shall overcome. Above all, don’t let anyone’s private agenda stop you for one second. The sweetest revenge is a neat sentence. 9- Don’t let the rules of so-called ‘creative writing’ block you. Go ahead, end a sentence with a preposition if it makes you feel good. Start a sentence with ‘And’ or ‘But’ if you wish. The great thing about rules is that, once you have more or less mastered them, you can have a ball breaking them. Elmore Leonard has this thing about not writing about weather. I mean, he is a The Man but God he ain’t, so if you want to write a thousand pages bout rainsqualls, dawn mist and springtime drizzle, then go ahead. You a big boy/girl, now. I mean, you know, you go to the bathroom all alone. So break the rules. Go for it. Reach too far, fall off a couple of precipices. It is the only way you’ll find out who you are as a writer. (Note: if you absolutely, must make some money out of writing, can’t afford the luxury of falling off precipices discovering your literary persona, try advertising or public relations. They treat you nice, the offices are usually warm and clean, and the discipline of making every single word work in a limited space will fine-tune your writing skills. Above all, thank your lucky stars you are not French. They have the Académie Française breathing down their baguettes 24/7 advising them that it is not what you say that matters, but where you put the accents. 10- Take notes. TAKE NOTES. Always have paper with you, at all times. Get it all down- any dumb thought, any crazy action of a third party, the nuance of a drunken conversation, the color of a stormy sky (the hell with Elmore!) the crazy meanderings of a fissure in the sidewalk, so on. Anything. This is your fountain of youth. I used to be a painter- still am, half-truth be told- and painters learn in their diapers to sketch, sketch, sketch. So sketch verbally. With a library of notes, you’ll never be at a loss for words. Ask John Lennon. 11- Wing it. Just write. Get it down. The great stuff, the rubbish, the nonesense, the yuk. It is the act of writing that is important. You can clean it up later- sometimes the right word doeasn’t arrive the first time around, but three day’s later, out it pops. Worst comes to the worst, you can always save it somewhere. DO NOT TRASH IT. Fantastic thing is, in this era of Bill Gates and Steve Jobs, you can stash trash away in a doc. somewhere out back where you can always recuperate it. Crap today, genius ten years from now. You a writer. Anything is possible, except writer’s block. David Lovattsmith is a writer of advanced senility enjoying an unfashionably happy marriage with two unfashionably extraordinary saplings in a city where everyone speaks French except when they speak English and where everyone fears the winter except that it is really quite terrific. Unfortunately for the literary world, David Lovattsmith has never experienced writer’s block and will, as a result, publish early 2008 his first collection of short stories entitled ‘Hasta Nunca.’ Excerpts of this chef d’

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How the “Portion and Initiate” Arrangement Works

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Scrutinization Topics on Anything and The total

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